
EPISODES 5-3
# 5. WHISPERS
| - |
| Info and General Credits |
| Directed by Les Landau |
| Written by Paul Robert Coyle |
| Aired 1994 |
| Stardate 47552 |
| Guest Cast |
| Keiko O'Brien Rosalind Chao |
| En. DeCurtis Todd Waring |
| Ad. Rollman Susan Bay |
| Coutu Philip LeStrange |
| Molly O'Brien Hana Hatae |
Premise
After returning to the station from a
sensitive mission involving the security for the Parada peace talks O'Brien notices that something
suspicious is afoot, as all is not as it seems on DS9. Things have changed,
people have changed, and he's the only one who seems to notice, and this turns
out to be no paranoid
delusion. So, seemingly surrounded by impostors that are out to get him
O'Brien escapes from the station and makes a dash through the wormhole to
confront the Paradas.
Comments
I
don't know if this deserves to be in the Top Ten greatest Star Trek
episodes ever, but this happens to be one of my favourites, anyway... 'Whispers' was one's standard, run of the mill, mid-season, stand alone bottle
show. But what a great and effective episode it was. The principal plot device
was an old favourite -conspiracy, and the crew you know and love so well acting
very strangely and most out of character, except O'Brien who'd just returned to
the station after overseeing security preparations for the Parada peace talks.
Were everyone on the station alien impostors? Had there been a mass take over
whilst he was away? The paranoia we see O'Brien go through is tangible and not
at all misplaced, there is something definitely awry on Deep Space Nine.
It is a superbly crafted story, as we are guided through the twists and turns with O'Brien's narration, by way of his personal logs, as he tries to figure out what the hell is going on and why, and his attempts to undermine them and escape whilst ensuring the safety of the Parada delegation. But he constantly finds himself blocked at every turn, being diverted and reassigned, in a fashion that belies rationale. Even Keiko's acting strangely (doesn't she always? ;o), and to his horror he later discovers Starfleet seems to be in on it. Finally he finds an ally in Odo when he returns to the station, and sanity returns for a while. But he soon 'turns' also. Had he been replaced as well!? This is a totally fascinating episode, and all is explained in the last two minutes in an awesome twist that could not possibly be guessed. I definitely recommend you check this one out again and again.
Trekmania Image Archive:
Soundbites:
| Is Odo the latest victim...?: |
| O'Brien: "They got to you..." |
| ODO: "Don't be ridiculous..." |
| O'Brien: "No, they did, they got to you!" |
| Sisko: "Alright, let's have a little talk..." |
| O'Brien: "...Who the hell are you people!" |
| - |
| "It's not Doctors I have a problem with, it's YOU Julian!!": |
| Bashir: "Well, your sense of humour seems normal enough..." |
| O'Brien: "I don't have a sense of humour..." |
| Bashir: "Cough..." |
| O'Brien: (Coughs) |
| Bashir: "How's the sex life?" |
| O'Brien: "I don't have a sense of humour..." |
| Bashir: "Cough..." |
| O'Brien: (Coughs) |
| Bashir: "...Everything alright in that department...?" |
| O'Brien: "That department is none of Starfleet's business, or yours...!" |
| - |
| Sisko sums it up: |
| Sisko: "Maybe in a strange sort of way he was trying to be a hero...." |
# 4. THE INNER LIGHT
| - |
| Info and General Credits |
| Directed by Peter Lauritson |
| Teleplay by Morgan Gendel and Peter Allan Fields |
| Story by Morgan Gendel |
| Aired June 1992 |
| Stardate 45944 |
| Guest Cast |
| Eline Margot Rose |
| Batai Richard Riehle |
| Administrator Scott Jaeck |
| Meribor Jennifer Nash |
| Young Batai Daniel Stewart |
| Nurse Ogawa Patti Yasutake |
Premise
Picard
is targeted by a mind altering device from an alien probe. Falling unconscious
he awakes to find himself on a long lost alien world. With his former life and
the Enterprise gone, but not forgotten, he goes on to live a lifetime of
experiences in what seems to be someone else's life.
Comments
The
bizarre plot of this Fifth Season outing involves the Enterprise encountering a
mysterious alien craft of unknown origin. The craft then proceeds to
inexplicably link itself to Picard telepathically. Picard wakes to find himself
on an unknown world as another man, and goes on to live a lifetime there...
That's it in a nutshell. It's original, innovative and very high concept for mainstream sci-fi,
but the resulting episode is breathtaking, little more can said in the way of
superlatives. It is a slickly constructed and moving hour of television. It's difficult in fact
to fully embrace the shear magnitude of what happened to Picard. In a little under half an
hour he lived 30 to 40 years worth of experience. He had a wife, two children,
and a home, everything he could not have as a Starship captain. He ends up an
old man, a Grandfather, perhaps dying along with the planet that may soon follow
him due to its sun on the verge of a tragic supernova. And then, bang, he's a
middle aged man again, back on the Enterprise as Captain Picard, and his home of
thirty years, Kataan, is but a thousand year old memory having been destroyed by
a supernova, a memory which
encompasses the entire world, the people, its science and its culture. Thanks to
the probe it is Picard who possesses the information no other living person has,
information about the existence of Kataan, brought back to a galaxy that long
forgot them. This is an episode which is
both mind boggling, and enlightening. I reckon no other show on
television could even conceive, no matter deliver, stories such as these!
All the seemingly out door scenes of Ressick were shot inside on a regular soundstage. It is to the credit of the quality of the lighting (by Marvin Rush) that conveys the very realistic illusion that it was shot somewhere on location - with slight overexposure, to portray a planet in the path of a dying sun.
Batai, Kamin/Picard's son is played by Patrick Stewart's real son, Daniel Stewart.
As an afterward, Picard's experience here is in a small measure revisited in the sixth season episode 'Lessons'.
Trekmania Image Archive:
Soundbites:
| Picard's dismay is palpable at how long he'd been unconscious: |
| Picard: "How long....?" |
| Riker: "Twenty....twenty five minutes..." |
| Picard: "....twenty five minutes...?!" |
# 3. DUET
| - |
| Info and General Credits |
| Directed by James L Conway |
| Teleplay by Peter Allan Fields |
| Story by Lisa Rich & Jeanne Carrigan-Fauci |
| Aired 1993 |
| Stardate Unknown |
| Guest Cast |
| Aamin Marritza Harris Yulin |
| Gul Dukat Marc Alaimo |
| Neela Robin Christopher |
| Kainon Tony Rizzoli |
| Kaval Ted Sorel |
Premise
A sick Cardassian is taken to the infirmary on the station whilst passing
through on a freighter. Whilst seeking treatment he is abruptly arrested
on
suspicion of committing war crimes against the Bajoran people, as his illness
can only be attributed to his presence at a notorious Bajoran forced labour Camp during
the occupation.
Comments
The nature of the illness
(Kalla-Nohra Syndrome) and how it
works is not explained in great depth, but is not at all important as the drama and interaction
between the Cardassian, Marritza, and the interrogating Kira takes off, and ends
up being deeply evocative, and even explosive. The scenes between the two in the cells are
reminiscent of Hannibal Lector and Clarice Starling (Anthony Hopkins and Jodie
Foster) in 'Silence of The Lambs', and to their credit, Nana Visitor and Harris
Yulin are truly miraculous in this episode. It begins as a
standard interrogation to determine Marritza's story that he was simply a
'filing clerk' at the notorious and savage Gallitep labour camp. When it turns
out he may in fact be the terrible Gul Darhe'el, the 'Butcher of Gallitep' no
less, he faces a fate of certain execution. There are many twists that occur in
this episode, and when you think you've found a straight and narrow passage for
the plot to follow you're suddenly pulled down unexpected adjacent side streets,
so you don't know what the end result will be, until it is reached. It is
chilling and bold, and you can't help but be moved by Marritza's extraordinary
courage and sacrifice. It is indeed
a superbly provocative story of this forlorn Cardassian patriot perhaps seeking
his own personal absolution.
Trekmania Image Archive:
Soundbites:
| Kira describes the Cardassian atrocities to Sisko: |
| Kira: "Commander, if you'd been there twelve years ago when we liberated that camp, if you'd seen the things I saw... All those Bajoran bodies, starved, brutalized... Do you know what the Cardassian policy was?! And I'm not even talking about the murder, murder was just the end of the fun for them! First came the humiliation. Mothers, raped in front of their children, husbands beaten until their wives couldn't recognise them, old people buried alive because they couldn't work anymore....!!" |
| - |
| Kira can only look on in dismay: |
| Kira: "You admit your atrocities....!" |
| Marritza: "I ADMIT EVERYTHING!! WHY NOT!! I WAS THE BEST AT WHAT I DID. MY ACCOMPLISHMENTS SPEAK FOR THEMSELVES, CAN YOU SAY THE SAME..? YOU AND THAT LITTLE SHAKAAR RESISTANCE CELL THAT YOU BELONGED TO.... ALL YOU DID WAS ANNOY CARDASSIANS WHILE I WAS OUT EXTERMINATING BAJORANS!" |
| Kira: "Make sure you say that to the tribunal." |
| Marritza: "Oh, I will." |
| Kira: "THEN THEY'LL SENTENCE YOU TO DEATH!!" |
| Marritza: "LET THEM! DON'T YOU SEE, IT DOESN'T CHANGE ANYTHING... KILL ME, TORTURE ME! IT DOESN'T MATTER!! YOU'VE ALREADY LOST, MAJOR. YOU CAN NEVER UNDO WHAT I'VE ACCOMPLISHED. THE DEAD WILL STILL BE DEAD........ WHAT WILL YOU DO NOW, MAJOR, WITHHOLD MY MEDICINE...?" |
| - |
| Again, Kira is duly horrified: |
| Marritza: "....WE HAD AN EMPIRE TO PROTECT. WE NEEDED YOUR RESOURCES... EVERYTHING I DID WAS FOR THE GREATER GLORY OF CARDASSIA!! AND IF YOU SPINELESS SCUM HAD TO BE GROUND UNDER, SO MUCH THE BETTER. ALL THAT MATTERED WAS CARDASSIA. I LOVE MY HOMELAND, THAT'S WHAT JUSTIFIED MY ACTIONS, THAT'S WHAT GAVE ME STRENGTH..." |
| Kira: "Nothing justifies genocide...." |
| Marritza: "....What you call genocide, I call a day's work...." |
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